1 00:00:15,120 --> 00:00:18,320 Goya. The Naked Maja 2 00:01:40,680 --> 00:01:43,400 Master! Your Majesty is here! 3 00:01:52,960 --> 00:01:55,660 Your Majesty, Maestro Goya awaits you. 4 00:01:57,260 --> 00:01:58,260 Miss. 5 00:01:59,100 --> 00:02:00,100 Mister. 6 00:02:06,160 --> 00:02:07,360 Dear Francisco. 7 00:02:08,270 --> 00:02:12,050 As promised, I have invited some people to visit his studio. 8 00:02:15,010 --> 00:02:16,730 Let's see what he's painted lately. 9 00:02:19,990 --> 00:02:25,030 Actually, it's not a big deal, teacher. As always, master, you have lost your 10 00:02:25,030 --> 00:02:29,210 inspiration. I hope you are beauties can wake up again 11 00:02:29,210 --> 00:02:34,210 the magic of art and that they arise again beautiful creations of his magical hand. 12 00:02:36,680 --> 00:02:37,880 What do you say to me, teacher? 13 00:02:40,980 --> 00:02:41,980 Yes of course. 14 00:02:42,180 --> 00:02:44,460 It will be an honor for me to please you, majesty 15 00:02:45,000 --> 00:02:46,820 Your wishes are orders to me. 16 00:02:50,780 --> 00:02:53,220 I hope to continue counting on your services. 17 00:03:01,460 --> 00:03:04,080 Look at this, your majesty. It's a nice canvas. 18 00:03:05,630 --> 00:03:06,630 Not bad. 19 00:03:08,490 --> 00:03:13,650 You know, teacher, the love I have for you and your art, naturally. 20 00:03:13,650 --> 00:03:16,570 That's why I ask you to dedicate some of your time at my service. 21 00:03:17,670 --> 00:03:18,970 You will be rewarded. 22 00:03:20,630 --> 00:03:24,850 I will contact your servant when I have to start the work. The 23 00:03:24,850 --> 00:03:29,090 Princess Eloisa, cousin of the daughter of the Infanta of Spain, whose beauty is sure 24 00:03:29,090 --> 00:03:30,930 which will be nice for your painting. 25 00:03:33,320 --> 00:03:38,220 The lady is the pupil of a friend ours, the Count of Godoy, whom 26 00:03:38,220 --> 00:03:41,380 thank you for the service with a painting of yours that lends to the crown of Spain. 27 00:03:44,240 --> 00:03:48,480 Well, the Count de la Peña is at your disposal. available for whatever you need. 28 00:03:49,400 --> 00:03:53,820 Anything you need, let me know. personally to me. 29 00:03:54,100 --> 00:03:56,640 Okay, I'll do it that way. Well. 30 00:03:58,460 --> 00:04:02,720 Dear Francisco, we will meet again when he finishes his work. I count on 31 00:04:02,720 --> 00:04:03,720 you. 32 00:05:12,620 --> 00:05:13,620 Are you tired? 33 00:05:37,440 --> 00:05:39,260 I'm very angry with you, Master. 34 00:05:40,260 --> 00:05:41,320 And don't say anything. 35 00:05:45,230 --> 00:05:46,230 He has offended me. 36 00:05:48,050 --> 00:05:50,030 Don't you remember that you had promised me something? 37 00:05:52,390 --> 00:05:55,350 Either he fulfills his promise, or his neck is at stake. 38 00:05:57,970 --> 00:05:59,470 And I don't accept excuses. 39 00:06:01,370 --> 00:06:02,530 Why don't you believe him? 40 00:06:06,610 --> 00:06:08,970 I don't understand how I'm still talking to you. 41 00:06:10,530 --> 00:06:12,010 And don't try to be right. 42 00:06:15,820 --> 00:06:18,680 Why haven't you made a portrait of me? wife? 43 00:06:19,340 --> 00:06:22,140 Maybe I didn't understand it very well. I am a little deaf 44 00:06:22,820 --> 00:06:24,160 That doesn't justify anything. 45 00:06:25,160 --> 00:06:27,180 What are you trying to do, master? 46 00:06:28,840 --> 00:06:30,680 I try to satisfy your wishes. 47 00:06:31,060 --> 00:06:34,260 That's why I will make the portrait of his wife and of her friend. 48 00:06:34,520 --> 00:06:35,359 Oh really? 49 00:06:35,360 --> 00:06:36,219 Of course. 50 00:06:36,220 --> 00:06:37,220 Aren't you deceiving me? 51 00:06:37,800 --> 00:06:38,800 Of course not. 52 00:06:39,160 --> 00:06:40,240 This is... 53 00:06:40,859 --> 00:06:44,780 The least I can do to make your Your Excellency forgive me, as long as you 54 00:06:44,780 --> 00:06:45,780 agree. 55 00:06:46,480 --> 00:06:48,220 Yes, I have started. 56 00:06:48,940 --> 00:06:50,440 I wait outside, Your Excellency. 57 00:07:06,640 --> 00:07:07,640 Come on. 58 00:07:08,000 --> 00:07:09,940 A wonderful composition. 59 00:07:11,099 --> 00:07:12,560 Yes, perfect. 60 00:07:13,620 --> 00:07:15,520 It's uplifting. 61 00:07:16,520 --> 00:07:17,520 Yes. 62 00:07:18,020 --> 00:07:21,260 Now let's give it a little touch of originality. 63 00:07:23,560 --> 00:07:25,900 That is. That's it. 64 00:07:27,520 --> 00:07:28,520 Perfect. 65 00:07:31,100 --> 00:07:32,660 That's it, stay still. 66 00:08:22,890 --> 00:08:23,930 um um 67 00:11:57,930 --> 00:11:58,930 Okay. 68 00:12:37,900 --> 00:12:38,900 Oh. 69 00:14:21,860 --> 00:14:23,260 Hmm. 70 00:14:36,160 --> 00:14:37,560 Hmm. 71 00:16:54,030 --> 00:16:55,030 Ugh. 72 00:19:11,280 --> 00:19:12,280 Oh. 73 00:19:50,860 --> 00:19:51,739 Good morning. 74 00:19:51,740 --> 00:19:53,200 A bunch of grapes, ladies. 75 00:19:53,480 --> 00:19:54,480 They're very good. 76 00:19:54,600 --> 00:19:55,600 Yes, thank you. 77 00:19:55,840 --> 00:19:57,200 I want an orange. 78 00:19:57,500 --> 00:19:58,500 Still orange? 79 00:19:58,860 --> 00:20:00,040 Here you are, ma'am. 80 00:20:03,560 --> 00:20:04,560 They're delicious. 81 00:20:04,900 --> 00:20:08,600 You must keep in mind that design is a fundamental pictorial element. It's 82 00:20:08,600 --> 00:20:11,900 essential. We could say it's the skeleton of the future work. 83 00:20:12,180 --> 00:20:12,979 I understand. 84 00:20:12,980 --> 00:20:16,140 And color is the instrument we use to complete it. 85 00:20:17,060 --> 00:20:19,520 Let's fuck these beautiful ladies as a model. 86 00:20:19,780 --> 00:20:20,780 Alright. 87 00:20:21,500 --> 00:20:22,500 Excuse me. 88 00:20:23,200 --> 00:20:26,200 Excuse me, miss. Would you mind posing for me? Oh, sure. 89 00:20:39,400 --> 00:20:40,400 Is something wrong? 90 00:20:40,620 --> 00:20:42,220 May I know what to paint? Oh, sure. 91 00:20:42,940 --> 00:20:47,340 This is just a sketch of the picture I have created. And if you want, you can pose for 92 00:20:47,340 --> 00:20:49,640 me. But it can't be here. 93 00:20:50,960 --> 00:20:53,700 You should come to my studio. there I have all my things. 94 00:20:54,080 --> 00:20:55,080 Very good. 95 00:20:55,580 --> 00:20:56,580 Come on, 96 00:20:58,220 --> 00:20:58,999 nothing happens. 97 00:20:59,000 --> 00:21:02,160 It's just about posing for a portrait. Well, if so. 98 00:21:06,000 --> 00:21:11,670 Do you know? A painter is always looking for new faces to inspire and create his 99 00:21:11,670 --> 00:21:17,210 art. For him, the object of inspiration is the mystery that detaches the human 100 00:21:17,210 --> 00:21:20,890 being, especially if it is a girl like beautiful as you. 101 00:21:22,070 --> 00:21:24,630 Consuelo, where are you going? Right away, miss. 102 00:21:50,920 --> 00:21:53,500 Mr. Goya does not live badly at all, so what I see 103 00:21:54,540 --> 00:21:56,700 Apparently, painting is enough to live on. 104 00:21:57,100 --> 00:22:00,740 Well, I propose to enter, if you don't have No problem, ladies. 105 00:22:01,020 --> 00:22:02,020 Sure, yes. 106 00:22:02,320 --> 00:22:04,540 So let's go pose for him teacher. 107 00:22:08,080 --> 00:22:09,880 They will have to be still for hours. 108 00:22:11,380 --> 00:22:13,000 Honestly, I couldn't do it. 109 00:22:20,460 --> 00:22:21,780 We have arrived, master. 110 00:22:22,020 --> 00:22:23,320 Ah, it's you. 111 00:22:23,900 --> 00:22:24,900 Teacher. 112 00:22:29,520 --> 00:22:30,660 Good morning, sir. 113 00:22:30,920 --> 00:22:31,879 Good morning. 114 00:22:31,880 --> 00:22:33,660 You already know the lady, right? 115 00:22:34,880 --> 00:22:35,880 Miss. 116 00:22:37,000 --> 00:22:38,860 And Princess Heloise. 117 00:22:39,340 --> 00:22:42,940 Princess, I'm glad to see you again. As we have already agreed, we have come. 118 00:22:43,200 --> 00:22:43,979 How do you say? 119 00:22:43,980 --> 00:22:45,180 That I leave it in your hands. 120 00:22:45,560 --> 00:22:48,680 Oh yes. He promised us that he would make a portrait of her. Oh, it's true. 121 00:22:49,160 --> 00:22:51,240 I already remember. I hope there isn't any problem. 122 00:22:51,580 --> 00:22:53,340 No, no, calm down. We will start now same. 123 00:22:53,660 --> 00:22:55,320 Get the lady out of here, please. 124 00:22:55,840 --> 00:22:57,000 We will continue later. 125 00:22:58,380 --> 00:22:59,800 Excuse me, I was working. 126 00:23:00,020 --> 00:23:01,080 It's one of my models. 127 00:23:01,960 --> 00:23:04,460 See you later, beautiful. I'll call you now. 128 00:23:06,040 --> 00:23:08,400 Make yourself comfortable, princess. You too. 129 00:23:10,400 --> 00:23:12,200 Please make yourself comfortable. 130 00:23:12,420 --> 00:23:13,420 That is. 131 00:23:13,800 --> 00:23:14,800 You here. 132 00:23:15,020 --> 00:23:16,940 Yes. Very good. 133 00:23:17,440 --> 00:23:18,440 No os mováis. 134 00:23:31,310 --> 00:23:32,310 Vamos a ver. 135 00:23:33,290 --> 00:23:34,290 A ver. 136 00:23:38,410 --> 00:23:39,410 Perdonad. 137 00:23:40,550 --> 00:23:41,550 Eso es. 138 00:23:42,850 --> 00:23:43,850 Veamos. 139 00:23:44,730 --> 00:23:45,730 Así. 140 00:23:46,190 --> 00:23:47,190 Bien. 141 00:23:47,550 --> 00:23:48,550 Perfecto. 142 00:23:49,570 --> 00:23:52,410 Y ahora, a empezar, señor Goya. 143 00:24:40,240 --> 00:24:41,240 precioso. 144 00:24:54,880 --> 00:24:57,600 Creo que le gustará cuando lo vea. 145 00:25:34,320 --> 00:25:35,320 um 146 00:26:51,760 --> 00:26:52,760 Thank you. 147 00:27:38,990 --> 00:27:39,990 Yeah. 148 00:29:37,870 --> 00:29:38,870 No. 149 00:32:01,350 --> 00:32:02,350 Oh, my God. 150 00:33:43,929 --> 00:33:46,310 Excellent. The two are special. 151 00:37:46,030 --> 00:37:49,790 As you can see, it's a matter of sensitivity and knowing how to 152 00:37:49,790 --> 00:37:50,790 beauty of nature. 153 00:37:51,570 --> 00:37:57,230 Look at this lake, how its green waters flow, it's the wonder of nature. 154 00:37:57,770 --> 00:38:04,250 All this has been created to enrich our spirit, although this may seem 155 00:38:04,250 --> 00:38:05,710 apparently insignificant. 156 00:38:06,750 --> 00:38:11,830 But look at this, the water, the trees, Doesn't nature seem like a wonder? 157 00:38:13,150 --> 00:38:14,150 Oh, yes. 158 00:38:14,540 --> 00:38:16,300 We live in a wonderful world. 159 00:38:50,980 --> 00:38:53,740 Princess. Don't say anything, Francisco. 160 00:39:03,840 --> 00:39:05,420 Don't do this to me. 161 00:39:07,300 --> 00:39:12,980 Because I don't know if I can resist your beauty. 162 00:39:14,120 --> 00:39:15,460 You are fascinating. 163 00:39:16,460 --> 00:39:17,960 An incredible woman. 164 00:39:25,070 --> 00:39:31,250 Since the day I saw her, I have not been able stop thinking 165 00:39:31,250 --> 00:39:32,790 in you. 166 00:39:33,030 --> 00:39:37,050 And I wonder, is all this real? 167 00:39:37,750 --> 00:39:39,030 What is happening to me? 168 00:39:39,970 --> 00:39:41,490 You are beautiful. 169 00:39:42,690 --> 00:39:46,170 And I will forever capture its beauty. 170 00:45:32,200 --> 00:45:33,640 Yes, come on, do it. 171 00:45:37,680 --> 00:45:40,380 It is a portrait that reflects the fire interior. 172 00:45:40,900 --> 00:45:43,240 Therefore, it must excite her. 173 00:45:43,440 --> 00:45:44,620 Yes of course. 174 00:45:44,820 --> 00:45:46,640 Come on, I want to see passion. 175 00:45:50,920 --> 00:45:51,920 Yes. 176 00:45:53,540 --> 00:45:54,540 Wait. 177 00:45:55,760 --> 00:45:57,460 Out of this. 178 00:45:58,000 --> 00:46:00,160 Understood? Yes, okay. 179 00:46:00,560 --> 00:46:02,900 Come on, get him excited, come on. 180 00:46:27,380 --> 00:46:29,000 That's sucking. 181 00:47:44,130 --> 00:47:46,230 The colors flow on their own. 182 00:47:56,210 --> 00:47:57,210 Let's dig in. 183 00:51:36,650 --> 00:51:40,030 For a painter, the inspiration that awakens in him nature is fundamental. 184 00:51:40,510 --> 00:51:45,350 All terrestrial things are a source of inspiration for him and allow him to 185 00:51:45,350 --> 00:51:49,910 create what he feels, like the feelings that awaken in him, the sound of the 186 00:51:49,910 --> 00:51:51,190 waters, the song of a bird. 187 00:51:52,250 --> 00:51:54,770 Everything influences the thought of a painter. 188 00:51:55,590 --> 00:52:00,710 A creature like you, full of so much beauty, is one more source of 189 00:52:01,250 --> 00:52:02,690 The beautiful is ephemeral. 190 00:52:03,370 --> 00:52:07,490 And therefore, inspiration also it is. And this is where greatness is measured 191 00:52:07,490 --> 00:52:11,710 of a painter, in knowing how to transmit the feelings that he perceives from the 192 00:52:11,710 --> 00:52:12,810 things that surround you. 193 00:52:13,170 --> 00:52:17,750 Creating is not a technical process, it is simply a flow of sensations that 194 00:52:17,750 --> 00:52:19,750 They are captured on a sheet. 195 00:52:21,170 --> 00:52:26,130 And when this is due to the figure of a beautiful woman like you, the painting 196 00:52:26,130 --> 00:52:27,310 turns into magic. 197 00:52:29,090 --> 00:52:33,660 A... Magic that influences the eyes of whoever observes that painting and who without 198 00:52:33,660 --> 00:52:37,880 knowing it allows oneself to be enveloped by a world imaginary and real at the same time 199 00:52:37,880 --> 00:52:40,380 transports him to where he wants to go. 200 00:52:41,500 --> 00:52:45,500 This is the work of a painter, satisfy people's desires 201 00:52:45,500 --> 00:52:47,960 They want to immortalize their most precious pleasures. 202 00:52:49,180 --> 00:52:53,660 Watching you and your fascinating beauty, I would be able to paint the 203 00:52:53,660 --> 00:52:57,860 feeling more hidden than you wake up in me and get deeper 204 00:52:57,860 --> 00:52:58,860 deepest of his soul. 205 00:52:59,850 --> 00:53:05,910 My hand will be the instrument to create so much beauty and you the inspiration 206 00:53:05,910 --> 00:53:07,430 the guide to translate it. 207 00:53:41,840 --> 00:53:42,840 Okay. 208 00:55:28,240 --> 00:55:31,040 um um 209 00:56:09,000 --> 00:56:11,040 Thank you. 210 00:57:36,430 --> 00:57:39,230 Oh. Oh. 211 00:57:43,230 --> 00:57:44,630 Oh. 212 00:58:42,790 --> 00:58:43,790 Oh. 213 00:58:44,490 --> 00:58:45,850 Oh. 214 01:04:29,260 --> 01:04:30,260 It's very pretty. 215 01:06:53,260 --> 01:06:54,260 Peace. 216 01:08:38,510 --> 01:08:39,510 No no! 217 01:10:46,160 --> 01:10:47,160 Oh. 218 01:11:33,730 --> 01:11:38,110 I don't think my husband is too happy to see that you've painted me naked. 219 01:11:38,430 --> 01:11:39,430 And why not? 220 01:11:39,510 --> 01:11:42,670 He's very jealous and doesn't want another man to see me naked. 221 01:11:43,150 --> 01:11:44,148 Oh, really? 222 01:11:44,150 --> 01:11:45,150 Yes. 223 01:11:50,179 --> 01:11:52,140 I've already warned you, Mr. Goya. 224 01:11:53,560 --> 01:11:55,020 Sorry, I didn't hear you. 225 01:11:55,500 --> 01:11:58,680 Don't tell me I didn't warn you when he get angry about this. 226 01:11:59,000 --> 01:12:00,980 Ah, that's fine. 227 01:12:01,260 --> 01:12:02,900 And he'll get angry, I'm sure. 228 01:12:03,160 --> 01:12:04,160 It'll pass. 229 01:12:08,240 --> 01:12:09,240 Wait. 230 01:12:11,780 --> 01:12:13,100 This leg here. 231 01:12:22,349 --> 01:12:23,950 Oh my God. 232 01:17:25,950 --> 01:17:27,250 Oh, perfect. 233 01:17:53,960 --> 01:17:55,200 to have such a beautiful woman. 234 01:17:55,600 --> 01:17:57,260 No, no, no, no, I'm going to break it. 235 01:17:58,560 --> 01:18:01,980 No, trust me. Instead, don't would do. 236 01:18:04,460 --> 01:18:05,460 Give me a reason. 237 01:18:07,900 --> 01:18:12,980 This is a portrait of great value artistic. Pay attention to the details. 238 01:18:14,080 --> 01:18:15,080 Good. 239 01:18:15,580 --> 01:18:19,660 Paying attention to these details, a person as smart as you should 240 01:18:19,660 --> 01:18:21,680 be able to appreciate the quality of the work. 241 01:18:34,350 --> 01:18:35,930 You won't believe it, Your Excellency. 242 01:18:36,810 --> 01:18:42,050 But the woman who appears in this portrait is the king's first-born daughter 243 01:18:42,050 --> 01:18:43,050 Spain. 244 01:18:43,230 --> 01:18:45,890 Yes, Princess Heloise. 245 01:18:47,690 --> 01:18:53,450 I assure you, Your Excellency, that possessing this work is equivalent to a great fortune 246 01:18:53,450 --> 01:18:54,450 historical. 247 01:18:55,210 --> 01:18:59,150 Yes, yes, I know it's hard to believe, but think about it 248 01:18:59,450 --> 01:19:03,090 Princess Eloisa naked in your power. 249 01:19:06,220 --> 01:19:08,900 Only you can possess such a sacred treasure. 250 01:19:13,080 --> 01:19:14,880 Two magnificent models. 251 01:19:19,660 --> 01:19:21,140 It will be a fabulous portrait. 252 01:19:50,220 --> 01:19:51,220 Teacher. Teacher. 253 01:19:51,760 --> 01:19:53,860 The lady in the portrait wants me to go. 254 01:19:54,060 --> 01:19:57,920 What lady? Speaks. The one with the portrait He wants me to go right away. Oh, yeah. 255 01:19:58,140 --> 01:19:59,140 Yes. 256 01:19:59,500 --> 01:20:01,660 Forgive me, ladies, but I must go. Bye bye. 257 01:20:02,730 --> 01:20:06,590 José, I'm going to leave you. You take care of this. You can do it. Yes that's fine. No 258 01:20:06,590 --> 01:20:09,050 worry. And you, come on, get out of here, fast. 259 01:20:11,910 --> 01:20:14,110 Why don't you give each other a kiss? Come on. 260 01:20:14,930 --> 01:20:15,930 A little kiss 261 01:20:17,570 --> 01:20:18,890 But what do you want us to do? 262 01:20:20,150 --> 01:20:21,150 What do we do? 263 01:20:24,630 --> 01:20:25,670 Do you want us to touch each other? 264 01:20:25,970 --> 01:20:27,450 We can't stay here. 265 01:20:28,830 --> 01:20:29,830 Well. 266 01:20:31,330 --> 01:20:32,910 Okay, as you wish. 267 01:20:50,930 --> 01:20:52,870 More, more, let's go. 268 01:21:54,320 --> 01:21:55,320 Oh! 269 01:28:50,380 --> 01:28:56,380 I never imagined that in my life it would end being with a woman as beautiful as 270 01:28:56,380 --> 01:28:57,380 you 271 01:28:59,840 --> 01:29:02,940 All this is like a dream come true reality. 272 01:29:09,380 --> 01:29:15,980 It was impossible for me to think that I would fall in love, but, honey, I'm... 273 01:29:16,760 --> 01:29:19,560 Lost in love with you. 274 01:30:20,680 --> 01:30:22,060 Amen. 275 01:31:55,260 --> 01:31:58,020 Oh. Oh. 276 01:34:01,130 --> 01:34:02,130 Oh God. 277 01:35:47,380 --> 01:35:48,780 Oh. 278 01:35:56,950 --> 01:35:59,750 uh uh 279 01:37:19,340 --> 01:37:21,440 Who knows what the future holds for me?